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Listen to the simple pitter-patter of a song like " Magic" or the thundering whoomph of " Shiver." It's all in the drumming! I think Champion is the reason the band has always been a favorite of hip-hop artists like Swizz Beats, Jay Z, and Kanye West. More than the band's Echo and the Bunnymen-esque riffs or their U2-worshipping art-rock moves, the secret to Coldplay's success lies in their nimble understanding of rhythm, particularly how simple percussion choices can shape a whole song. Will Champion, the group's drummer, probably deserves a good amount of the credit for that.
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These are the songs that make fans grin like an idiot and spread their arms out like they're big, dumb birds. From the syrupy sweet "Yellow," with its rain-soaked video, to the arena-rock EDM bombast of " Paradise," the band excels at creating moments of communal pop catharsis. " Clocks," " The Scientist," " Speed of Sound," " Lost": these are intimate, trance-inducing anthems that take greeting-card themes and blow them up into skywriting penned with stardust. This is the most conventional argument in favor of Coldplay: they are a solid singles band. Once Paul Rudd makes fun of you in a movie, it's hard to come back with that crowd. In many ways The 40 Year Old Virgin putdown felt like the tipping point for the band's relationship with the rumpled-button-down, rock-loving public. The word "whiny" is particularly telling: if there's one thing that pisses people off about Coldplay, it's that they write about love and intimacy in a way that scans as feminine to certain rock fans. When the band first broke out, Oasis mouthpiece Noel Gallagher declared them "a bunch of fuckin' pansies, the lot of them." (He later befriended Martin and told Esquire last year that "that fucking guy can write a tune.") And in The 40 Year Old Virgin, Paul Rudd tells Seth Rogen, "You know how I know you're gay? You like Coldplay." If you need more proof that making Coldplay jokes is like shooting very sad fish in an eco-friendly barrel, look no further than this Family Guy clip, which finds Peter Griffin saying he got kicked out of Coldplay for suggesting they do a song "that's not whiny bullcrap." Martin, in particular, is content with playing the role of the grateful nerd as romantic frontman, wearing his emotions on the sleeves of his stupid jacket.Īs my cheap jacket comment above proves, making fun of Coldplay is easy. That type of self-awareness is one of the secrets to Coldplay's appeal: they've never wanted to be cool, and they know that you think they're not cool. "Sometimes I feel like they cleared a path with a machete," he said, "and we came afterward and put up a strip mall." In 2008, Rolling Stone published an interview with Martin under the headline "The Jesus of Uncool," in which he discussed the influence of Radiohead on his own band. Arriving at the tail end of the Britpop era, the group immediately got lumped in with a number of other moody, ballad-heavy European rock groups, such as Travis, Stereophonics, and Keane. Unlike Oasis, Radiohead and Pulp, this new breed of band aimed straight for your heart with emotionally direct, sensitive songs that had self-pitying titles like " Why Does It Always Rain on Me?" If you liked your music aggressive, confrontational, and a little off-kilter, these were not the bands for you.Īnd no one has ever been as aware of this as Chris Martin. Coldplay has never - not for a single minute of their existence - been cool.